Paperback
English language
Published Feb. 14, 2021 by Bloomsbury Publishing Plc.
Felt like reading a livejournal, in a good way. The first half is a hilarious take on living inside "the portal", which feels very real, and the second half is a personal tragedy, with lately the same voice.
Somebody cracks wise on the Internet (I know, I know, but stay with it, it’s fiction after all), and it goes viral. Interviews, guest lectures, panel discussions and world travel ensue until... Until something terrible happens, and everything collapses to the point of disruption. In Ohio, so you know it’s serious. Then, maybe, we see what matters in this big ol’ world of ours.
That’s mostly the story; as you read along, that’s what you’re reading. The story’s written in two parts: the happy part and the sad part. The happy part is happy, jouncing along with one-liners, wry observations and winsome meditations, a bit like a Steven Wright routine, except more Internetty. The sad part is sad, and, unlike the happy part, is capable of being spoiled, which cramps the review a little. It’s probably safe to point out if you’re familiar with Oscar Wilde’s (alleged!) comment about little …
Somebody cracks wise on the Internet (I know, I know, but stay with it, it’s fiction after all), and it goes viral. Interviews, guest lectures, panel discussions and world travel ensue until... Until something terrible happens, and everything collapses to the point of disruption. In Ohio, so you know it’s serious. Then, maybe, we see what matters in this big ol’ world of ours.
That’s mostly the story; as you read along, that’s what you’re reading. The story’s written in two parts: the happy part and the sad part. The happy part is happy, jouncing along with one-liners, wry observations and winsome meditations, a bit like a Steven Wright routine, except more Internetty. The sad part is sad, and, unlike the happy part, is capable of being spoiled, which cramps the review a little. It’s probably safe to point out if you’re familiar with Oscar Wilde’s (alleged!) comment about little Nell, then you’re equipped to handle the sad part, except you probably won’t laugh, but more like eye-roll, because Internet.
No One Is Talking About This is written like it’s from the Internet, which it calls the Portal. The effect is possibly supposed to be Twitter-like, but it reads more like it’s from an earlier era: Flutterby, Wonkette or — St. Berners-Lee protect us — InstaPundit. That works fine for the happy part (assuming you overlook the meme-slippage, which, if you couldn’t, they wouldn’t be memes), but it cuts into whatever it is the sad part is supposed to be doing; the pitch turns somber, but the register remains the same. Unless that’s the point: even the Portal-poisoned can recover their humanity, or maybe the hive-mind strength of the Portal can help you through tough times, something like that.
I'm very curious how someone who isn't extremely online would read this novel, but for me it was probably the most honest articulation of the experience of living with online? But also living with the weirdness and grief and absurdity and poetry of These Times, more generally. I want more books like this.
