Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world fifty years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever …
Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world fifty years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city – or face the possibility he could be exactly who he seems... A Master of Djinn is poised to launch P. Djèlí Clark’s SFF career to new heights as the highly-anticipated debut readers are clamoring for. Novellas by P. Djèlí Clark The Black God's Drums The Haunting of Tram Car 015 Ring Shout At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
I read two shorter works set in the same universe first, so I knew what to expect, more or less. As a mystery novel, the book is good, but maybe a bit less surprising than the author intended. I did really enjoy the setting, perhaps because I was somewhere where I could hear Arabic spoken all around me. And of course anything that makes fun of the (fallen) British Empire has my sympathies.
I really like the steampunk, Egyptian magic vibe that the world is set in, but I just couldn’t get invested. I got a full 25% way through the book and still don’t care about the story or the characters.
As others have noted, this is an alternate steampunk universe set in the 1910's. A world changed by a single man piercing the veil, and bringing Djinn and magic back into our world. Since that happened about 40 years ago, the djinn have transformed Cairo with their amazing mechanical creations, including robots, flying gliders and trams, and mechanical brains in buildings.
The main character, Fatma, is a respected, if youngest female, investigator in the Ministry of Ministry of Alchemy, Enchantments and Supernatural Entities. She is definitely a maverick, dressing in suits, hats, and carrying a sword cane.
The descriptions of clothing and locations feed the imagination, breathing life into the world and putting it all in your mind's eye. The gradually revealing of the consequences of the mass murder in a secret brotherhood in honor of al-Jahiz, the man who brought back magic to the world, is gripping. The impostor …
As others have noted, this is an alternate steampunk universe set in the 1910's. A world changed by a single man piercing the veil, and bringing Djinn and magic back into our world. Since that happened about 40 years ago, the djinn have transformed Cairo with their amazing mechanical creations, including robots, flying gliders and trams, and mechanical brains in buildings.
The main character, Fatma, is a respected, if youngest female, investigator in the Ministry of Ministry of Alchemy, Enchantments and Supernatural Entities. She is definitely a maverick, dressing in suits, hats, and carrying a sword cane.
The descriptions of clothing and locations feed the imagination, breathing life into the world and putting it all in your mind's eye. The gradually revealing of the consequences of the mass murder in a secret brotherhood in honor of al-Jahiz, the man who brought back magic to the world, is gripping. The impostor who claims to be al-Jahiz has a dramatic flair that makes everything so much more cinematic. There are more than enough plot twists to keep you guessing until the end, and in the end you are left wanting more of this fantastical world and this amazing investigator.
My one criticism is, of course, Fatma has to save the world.
Again.
What does that leave her for an encore?
All said, the book is a fun romp with descriptions that you can taste and see in your mind's eye. There are multiple strong female characters, which definitely gives the book a distinct flair.
I only give 5 stars to books I think I will read again, and this fits into this category easily due to the cinematic world-building, enchangint character arcs, and gripping adventure.
As much as I wanted to, I didn't find this book very compelling. I certainly like the notion of a fantasy-ish story that takes place somewhere other than London or NYC, but that wasn't really enough for me. The plot gets bogged down in endless explanations -- basically with every introduction of a new tool, location, creature, character, etc, instead of showing us the thing, the author just tells about the thing. The dialogue drags and is repetitive. The concept of the plot has a lot of potential, but in execution it is extremely predictable, especially for a book that purports to be a mystery. The book is vaguely anti-colonial, and the gender politics are certainly interesting, but at the same time it's really falls into traditional genre tropes and in a lot of ways it buys into the accepted structure of western/colonial politics. I almost put it down several …
As much as I wanted to, I didn't find this book very compelling. I certainly like the notion of a fantasy-ish story that takes place somewhere other than London or NYC, but that wasn't really enough for me. The plot gets bogged down in endless explanations -- basically with every introduction of a new tool, location, creature, character, etc, instead of showing us the thing, the author just tells about the thing. The dialogue drags and is repetitive. The concept of the plot has a lot of potential, but in execution it is extremely predictable, especially for a book that purports to be a mystery. The book is vaguely anti-colonial, and the gender politics are certainly interesting, but at the same time it's really falls into traditional genre tropes and in a lot of ways it buys into the accepted structure of western/colonial politics. I almost put it down several times.
Sapphic Dandy MC, sword fights, anticolonialism, and a willingness to take on the most troubling aspects of the steampunk genre head on with humor and artistic flair. Loved it.
