Art, Activism and Autonomous Zones
In 2008, as the storms of the financial crash blew, Isabelle Fremeaux and Jay Jordan deserted the metropolis and their academic jobs, traveling across Europe in search of post-capitalist utopias. They wanted their art activism to no longer be uprooted. They arrived at a place French politicians had declared lost to the republic, otherwise know as the zad (the zone to defend): a messy but extraordinary canvas of commoning, illegally occupying 4,000 acres of wetlands where an international airport was planned. In 2018, the 40-year-long struggle snatched an incredible victory, defeating the airport expansion project through a powerful cocktail that merged creation and resistance. Fremeaux and Jordan blend rich eyewitness accounts with theory, inspired by a diverse array of approaches, from neo-animism to revolutionary biology, insurrectionary writings and radical art history. Published in collaboration with the Journal of Aesthetics & Protest.
the foreword was, to me, just a collection of buzzwords and had no real meaning, but the main body of the book was really nice. it gave me ideas of why the zad was able to win, not only in the physical space but maybe also on the way of developing other imaginaries that can help us leave capitalism, patriarchy and white supremacy behind. I loved the focus on ceremony. especially worthwhile for people trying to defend forest and village occupations e.g. #LütziBleibt
